The same cast, every week.
Eight to ten minutes on a Sunday, the whole story in a minute on the Tuesday. The channel is where the cast learns to act; a video about you is the same engine, pointed at your brief.
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Golden handcuffsOne working life, run twice. 9 minutes.English
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How to be interestingOne Tuesday, run twice. 9 minutes.English
The price, up front.
| What | What you get | Price |
|---|---|---|
| Explainer, 60 seconds | The script from your brief, narration, music, captions, the 16:9 master, the 9:16 vertical cut and a 15-second teaser. Two rounds of changes. Five working days. | AU$1,500 |
| Explainer, 90 seconds | The same, with room for a second idea or a worked example. | AU$2,000 |
| Social cuts pack | Three cuts of 15 to 30 seconds, vertical and square, captioned, each with a hook line. | AU$350 |
| Managed posting | The post copy written and eight posts a month put up on your LinkedIn, Instagram and TikTok. Month to month. | AU$600 a month |
| A third round of changes | Two are in the price. | AU$250 |
| Rush | The video in three working days. | +50% |
Day 0, day 2, day 5.
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Day 0The brief
You work out the video in four questions and send it. You hear back within a working day with a quote and a one-page statement of work.
Half up front starts the five-day clock. The clock stops while a round waits on you.
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Day 2One review
The script and the stills together on one page, the shots numbered, so your notes say "shot 4". That is round one.
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Day 5The video
Round two if you want it. The balance, then the master, the vertical cut and the teaser are yours.
You own the video. The engine, the house cast and the characters stay ours.
Because it can act.
The timing, the gestures, the pauses: that is what the cheap tools cannot do, and it is what people remember. The frames are drawn by our own code from characters and motion we made by hand, so the style never drifts and a video about you can exist in days, not weeks.
Asked whether these are made by AI: the pictures are not. Every frame is drawn by code from hand-made characters, poses and motion. The narration voice and the music are generated, and the statement of work says so. A human voice can be booked.
Write to ed@potentialdiff.com if you would rather not fill anything in.